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Day 136: Loudon Wainwright III – New Paint

loud

For today I’ll leave you with Loud’s folk narrative of the new paint of a budding relationship.

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I’m Living Good

Tommy-Collins

The Ovations – I’m Living Good
Ruby Andrews – You Made A Believer (Out of Me)
Bobby Moore & The Rhythm Aces – Searchin’ For My Love
Oscar Brown Jr. – But I Was Cool
Johnny Jones – Tennessee Waltz
Andy Kim – Baby I Love You
Beach Boys – The Times They Are A-Changin’
Bob Dorough – Three Is A Magic Number
Buck Owens – It Takes People Like You (To Make People Like Me)
Porter Wagoner & Dolly Parton – Then Last Thing On My Mind
Jerry Lee Lewis – Lincoln Limousine
Hank Snow  – Moanin’
Link Wray – La De Da
Jim Ford – Big Mouth U.S.A.
Mickey Newbury – Cortelia Clark
Townes Van Zandt – Sad Cinderella
The Louvin Brothers – I Wish It Had Been A Dream

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Day 135: Karen Dalton – Reason To Believe

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And now Karen Dalton doing a hauntingly lo-fi cover of Tim Hardin for your Friday afternoon. You deserve it.

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Day 134: Van Morrison – Everyone

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In 1967, Bert Berns produced Van Morrison’s most notable and radio-friendly song, “Brown Eyed Girl.” Rather than feature a song we’ve all heard a million times, I’ve decided to post a song that quite a few of you may have never heard at all. This deep cut from 1970’s Moondance has nothing to do with Bert Berns, but it’s quick, forward rhythmic motion and intermingling of Clavinet and flute present a prime contender against “Brown Eyed Girl” in the ring of Van Morrison classics.

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Day 133: Wilson Pickett – Come Home Baby

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On this 1965 duet with fellow Berns-produced artist, Tami Lynn, we find Wilson Pickett plowing the fields of lost love with a big beat and an epic horn section.

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Day 132: Solomon Burke – Cry To Me

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This 1962 classic from Solomon Burke, written by Bert Russell (Bert Berns), peaked at #5 on the R&B Charts and needs no further introduction.

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Day 131: Garnet Mimms – I’ll Take Good Care Of You

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For the next three days I’ll be featuring songs produced by legendary 60s producer Bert Berns. I was originally turned on to him by Ace’s amazing compilation, but this past weekend on WFMU Michael Shelley’s show was devoted to Bern’s work and featured an interview with Joel Selvin, music writer and author of the new Berns bio: ” Here Comes The Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues.”

First I’ll start with this epically soulful Garnet Mimms cut.

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Day 130: Jake and the Family Jewels – At The Well

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This is another band I was turned on to by Bob Brainen’s show. Jake started in the Greenwich Village scene with his partner Bunky and in the 7os he recorded a couple of albums with his band, The Family Jewels. The vocals here kind of run in that same lazy, low-tempo stream that has run throughout the last few songs. Creates a great mood.

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Day 129: The Beau Brummels – Tennessee Walker

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Sal Valentino and the rest of the Beau Brummels took about a seven year break after 1968 and returned with this reunion album full of great songs with a lazy delivery that is the icing on top of the cake. Gate of Hearts also appears on this record.

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Day 128: The Beach Boys – I’d Love Just Once To See You

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One thing I can say about this song is that it sounds improvised. But it features about seven little parts in it’s short run-time that are just pure Beach Boys magic. I think that’s enough to make it a good song.

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Day 127: NRBQ – Things To You

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This week I have chosen songs that were introduced to me by WFMU’s wonderful DJ, Bob Brainen. He has impeccable taste and is crazy about NRBQ. I love this NRBQ record in particular and especial Terry Adams’ songs. This one is a knockout and such a modest beauty.

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Day 126: Donovan – Celeste

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Any Donovan fan has undoubtedly been exposed to this psychedelic album-closing track. This song is a grand hypnotic tour de force of a song and it has got to be one of the best album closers ever.

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Day 125: Bee Gees – With The Sun In My Eyes

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Bee Gees – With The Sun In My Eyes

Songs like this solidify my admiration for the Bee Gees. I feel like a broken record when I try to convince people that the early Bee Gees output is legendary but I will keep at it. This song isn’t a smash hit and it doesn’t reach any great climax but it’s simple melody and seamless songwriting make it a classic.

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Day 124: Nina Simone – Turn! Turn! Turn!

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Nina Simone – Turn! Turn! Turn!

Awesome organ-drenched beautifully vocalized reinterpretation of the classic Byrds song.

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Singles Going Steady Vol. 2: South Louisiana Saturday Night

lg-cajun-orchestra-1565

For the second installment of Singles Going Steady I present to you a finely groomed assortment of Swamp Pop, Cajun fiddle and zydeco tunes taken straight from the original 45rpm releases, which spun in every other jukebox and radio station in South Louisiana.

A few months ago, I went down to a man’s house in Lake Arthur, LA. Along with a random assortment of water-damaged country records, I was given about one hundred Cajun 45s. Flipping through labels like JIN, Swallow, La Louisiana and Goldband never gets old.

The songs featured here are mostly selections from my Lake Arthur haul but a few are from other collections I’ve inherited. Having these records dropped on me is such a treat, especially at a time when my taste has been crawling back into the 50’s and early R&B. It allows me to discover and share Lousiana’s place in the early stages of Rock & Roll.

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Luderin Darbone & His Hackberry Ramblers – Pallet Su Le Planchier (Goldband 1169-1)
Les Domangue & The Dufrene Bros. – My Girl Josephine (Bayou Country Records 101)
Cleveland Crochet & The Hillbilly Ramblers – Sugar Bee (Goldband 1106)
Herbie Stutes & The Grand Shin – I Love My Saturday Night (JIN 265)
Aldus Rogus & His French Accordion – Diga Ding Ding Dong (Goldband 1084)
Johnnie Allan & The Krazy Kats– Family Rules (Viking 1010)
Harry Choates – Jole Blon (D 1050)
Hasa “Hazy” Ortego – Anniversary Night (Swallow 10233)
The Cajun Trio – “Mamou” Hillbillies (Swallow 10145)
Buck Rogers – Crazy Baby (JIN 241)
Cookie & His Cupcakes – I’m Twisted (Lyric 2609)
Vin Bruce – La Valse Du Bayou (Swallow 10164)
Jay Nelson – You’re The One (drew-Blan 1008)
Dunice Theriot – Henderson Waltz (Swallow 10227)
Bobby Charles – One More Glass Of Wine (JIN 1030)

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Day 123: Arthur Conley – Let Nothing Separate Us

conley

Arthur Conley – Let Nothing Separate Us

There are only a handful of music writers that I’ll blindly trust and seek out everything they write about or recommend. One of these people is soul music writer and historian, Dave Godin. I first heard the beautiful deep soul gem on Godin’s compilation Deep Soul Treasures Volume 2, but I had been turned on to the genius of Arthur Conley through this song I featured a while back. Enjoy this classic soul ballad co-written by the Late Great Otis Redding.

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Day 122: The Mad Lads – Cry Baby

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The Mad Lads – Cry Baby

 Always finding it difficult to make a name for themselves among the Stax all-stars like Otis Redding and Carla Thomas, The Mad Lads remain one of the lesser-known treasures of 926 E. McLemore.  Heavily inspired by The Temptations and the doo wop sound, they weren’t on top of the whole crunching soul scene like their peers. However, their version of “Cry Baby,” which I present to you today, has as much of that good ol’ Memphis sound as anyone could ask for.  From the noodling Memphis electric guitar, the weeping chorus and the classic spoken-word verses, in the style of Joe Tex or Solomon Burke, this cut makes it hard to believe The Mad Lads’ career was ultimately out of the spotlight.

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Day 121: Clarence Carter – Soul Deep

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Clarence Carter – Soul Deep

Before you start today’s selection, I want to share something with you. This cut DID NOT chart. It is a #1 HIT in my books and one of my favorite soul songs of all time. It contains boisterous baritone vocals, wicked hooks and metaphorical lyrics that just don’t quit. This song is the epitome of soul. Yet it never charted.

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Day 120: O.V. Wright – I Was Born All Over

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O.V. Wright – I Was Born All Over

“That’s How Strong My Love Is” is arguably one of the best and most frequently covered soul classics. Otis Redding’s rendition, in classic Redding fashion-nearly reconstructed, is what first led me to O.V. Wright. My love for the Otis Redding cover left me with an itch that needed to be scratched. I soon found out that in 1964 songwriter Roosevelt Jamison discovered Wright and they collaborated on their first single, titled “That’s How Strong My Love Is.”

So I quickly listened to a few O.V. Wright songs and was not let down. I think I had been listening to Wilson Pickett and Otis Redding a lot and it was time to branch out. Branching out into deep soul music is such an exciting experience because all you have to do is wait five to ten seconds and -BAM!- your senses are overwhelmed with the most captivating voice you have ever heard. “I Was Born All Over” does that and more. The thick back beat, the piping horn section, the twangy deep-south guitar and the enormous vocals that sing praise and thanks to the love of his life and the journey that brought him to her are what make this a wonderful cut.

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Day 119: Kip Anderson – Without A Woman

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Kip Anderson – Without A Woman

“Without a Woman” is an example of Deep Southern Soul at it’s finest. Sung from the point of view of a man who loved and lost, the song escalates from gentle words of wisdom to passionate soulful screaming as if to say “You idiot! Give her what she needs or she will leave your ass!”

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Day 118: Eddie Floyd – Big Bird

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Eddie Floyd – Big Bird

When Otis Redding’s plane crashed, in early December of 1967, Eddie Floyd was wrapping up his tour of England.  Floyd boarded the plane with hopes to make it back to Atlanta for the funeral service the following day. As the plane was taxiing down the runway the pilot abruptly slammed on the breaks, citing an engine failure that left Floyd stranded in the airport terminal for five hours, during which he wrote this song. “Get on up Big Bird.”

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Day 117: Lee Dorsey – Confusion b/w Rain Rain Go Away

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Lee Dorsey – Confusion b/w Rain Rain Go Away

Two treasures of New Orleans Funk for today’s serving. Both songs are the fruits of the great Dorsey/Toussaint collaboration. “Rain Rain Go Away” is from a single, not the LP, and is just a little lagniappe I found lyin’ around.

Confusion

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Day 116: The Isley Brothers – Save Me

isley

The Isley Brothers – Save Me

From their 1969 album , It’s Our Thing(the same record that features their perfect soul hit, “It’s Your Thing.”), this deep soul gem is born. I’ve never heard mention of this in deep soul references(perhaps I haven’t looked hard enough), but it deserves a spot on some list somewhere.

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Ain’t Got No; I Got Life

Nina Simone, late 1960s

Allen Toussaint – We The People
Nina Simone – Ain’t Got No; I Got Life
Abner Jay – I’m So Depressed
Buck Owens – Act Naturally
Solomon Burke – Everybody Needs Somebody To Love
The Showmen – It Will Stand
The Wonder Who – Don’t Think Twice, It’s Alright
Blossom Dearie – Figure Eight
Fleetwood Mac – Walk A Thin Line
Richard & Linda Thompson – Dark End Of The Street
Johnnie Allen – Out Of Left Field
Don Covay – Can’t Stay Away
Joe Tex – One Monkey Don’t Stop No Show
Tommy Ridgley – In The Same Old Way
Ferlin Husky – Walkin’ and Hummin’
Odetta – With God On Our Side

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Day 115: Toussaint McCall – I’m Undecided

touss

Toussaint McCall – I’m Undecided

A little deep soul and organ from a Louisiana legend.

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Day 114: Percy Sledge – It Tears Me Up

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Percy Sledge – It Tears Me Up

After listening to Ace’s wonderful Penn & Oldham compilation I had to chase it with my favorite of their collaborations. The words, the soulful orchestration and the utter pain in Percy’s voice make for one of the all-time great songs of heartache.

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Day 113: Joe Tex – Buying A Book

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Joe Tex – Buying A Book

Joe Tex preachin’ the Gospel of the Gold Digger.

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Day 112: Ray Stinnett – Honey Suckle Song

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Ray Stinnett – Honey Suckle Song

Now a little bit of twangy early 70’s country-soul Memphis magic for this sunny Spring day. Thanks to Light in the Attic Records for making it happen.

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Day 111: Nina Simone – Mr. Bojangles

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Nina Simone – Mr. Bojangles

This is currently one of my favorite Nina Simone songs, not just because it is a fantastic and hauntingly beautiful cover of a timeless country song. But because Nina Simone transcends the boundaries of genre with it. She trades Jerry Jeff’s twangy guitar for her hypnotic piano keys, Nitty Gritty Dirt Band’s nasal vocals with her own sultry tones. If you’ve never heard this version, listen and enjoy.

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Day 110: Wilson Pickett – It’s A Groove

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Wilson Pickett – It’s A Groove

A deep soul classic equipped with some noodling Memphis guitar, some smokey vocals by the Wicked Pickett and original words by the one and only Bobby Womack. One of my favorite low-key soul songs.

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Day 109: The Impressions – People Get Ready

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The Impressions – People Get Ready

Such an important and inspirational soul ballad of the civil rights era. But unlike most songs that have been used as soundtracks to a time and movement, this is equally incredible every time I hear it.

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Day 108: Bobby Bland – Call On Me

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Bobby Bland – Call On Me

One of the great Northern Soul classics. For the longest time I dismissed Bobby Bland for his later-period blues ‘stylings’ that are just TOTALLY not to my taste, but his albums on Duke contain some extremely soulful gems. I didn’t come across this until I heard “Ain’t Nothing You Can Do” on a Kent compilation and hear Mr. Fine Wine spin a few of his early sides on Downtown Soulville. It was then that I realized I had completely ignored this soul legend .

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Day 107: Johnnie Taylor – You Can’t Get Away From It

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Johnnie Taylor – You Can’t Get Away From It

Johnnie Taylor has always been either a little too funky or too bluesy for my taste. But this cut from 1969’s Rare Stamps compilation sounds straight out of the Temptations’ songbook. That is until Taylor breaks loose some of that secret Memphis Stew as the song progresses. Pure magic!

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Day 106: Beau Brummels – Homeward Bound

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Beau Brummels – Homeward Bound

The ragged, slurred, Dylanesque monotone of Sal Valentino’s vocals makes this cover a very poignant reminder of the stress involved in touring.

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Day 105: Bee Gees – Red Chair, Fade Away

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Bee Gees – Red Chair, Fade Away

It’s songs like this that allow me to pose the argument that the first few Bee Gees records are as good as any Beatles record.

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Day 104: Vashti Bunyan – Diamond Day

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Vashti Bunyan – Diamond Day

A charming addition and one of the folk legends. This is probably Vashti’s most popular song but it is just too much of a hypnotizing and addictive folk classic to not include.

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Day 103: Sandy Denny – The Optimist

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Sandy Denny – The Optimist

Here’s a beautiful song of hope and optimism from Sandy’s first solo album.

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Day 102: Karen Dalton – Something On Your Mind

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Karen Dalton – Something On Your Mind

This amazing song serves as a pivotal brick in my wall of musical taste. Not only did it introduced me to Light in the Attic Records (who reissued Dalton’s work, among many other under appreciated geniuses of 60s music) but it opened me up to the wonderful music of female folk singers. A young music-loving me was suddenly bombarded with a female musician whose work was on the same level (if not above) as it’s male-dominated neighbors on my record shelf. Dalton’s raspy vocals reminded me of Tom Waits or Dave Van Ronk, the haunted echoey twang reminded me of Fleet Foxes (who I was into at the time and maybe should’ve realized that dues were owed the other way around) and the beautiful violin reminded me of Dylan’s Desire. But the person I have to thank most is director Noah Baumbach, who put this song over the closing credits of his film, Margot at the Wedding, which is where I first heard it.

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Day 101: Chris Darrow – Lovers Sleep Abed Tonight

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Chris Darrow – Lovers Sleep Abed Tonight

I first heard of Chris Darrow by way of Drag City, which has rarely let me down. They tend to reissue a lot of great late-60s and 70s records. In fact they are the primary reason why I am into Mickey Newbury.

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Day 100: Big Star – I’m In Love With A Girl

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Big Star – I’m In Love With A Girl

Who better to provide the soundtrack to this beautiful 100th day than my favorite band? Do I even need to say this song is the best?

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